--- part7.xhtml	2013-03-24 21:36:12.000000000 +0100
+++ ../../Simulacra And Simulation ORIGINAL/text/part7.xhtml	2011-04-04 10:56:22.000000000 +0200
@@ -33,7 +33,7 @@
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 <p>In fact, Beaubourg illustrates very well that an order of simulacra only establishes itself on the alibi of the previous order. Here, a cadaver all in flux and surface connections gives itself as content a traditional culture of depth. An order of prior simulacra (that of meaning) furnishes the empty substance of a subsequent order, which, itself, no longer even knows the distinction between signifier and signified, nor between form and content.</p>
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-<p>The question: "What should have been placed in Beaubourg?" is thus absurd. It cannot be answered because the topical distinction between interior and exterior should no longer be posed. There lies our truth, the truth of Möbius-doubtless an unrealizable Utopia, but which Beaubourg still points to as right, to the degree to which any of its contents is a countermeaning and annihilated in advance by the form.</p>
+<p>The question: "What should have been placed in Beaubourg?" is thus absurd. It cannot be answered because the topical distinction between interior and exterior should no longer be posed. There lies our truth, the truth of Mobius-doubtless an unrealizable Utopia, but which Beaubourg still points to as right, to the degree to which any of its contents is a countermeaning and annihilated in advance by the form.</p>
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 <p>Yet-yet ... if you had to have something in Beaubourg - it should have been a labyrinth, a combinatory, infinite library, an aleatory redistribution of destinies through games or lotteries - in short, the universe of Borges - or even the circular Ruins: the slowed-down enchainment of individuals dreamed up by each other (not a dreamworld Disneyland, a laboratory of practical fiction). An experimentation with all the different processes of representation: defraction, implosion, slow motion, aleatory linkage and decoupling - a bit like at the Exploratorium in San Francisco or in the novels of Philip K. Dick - in short a culture of simulation and of fascination, and not always one of production and meaning: this is what might be proposed that would not be a miserable anticulture. Is it possible? Not here, evidently. But this culture takes place elsewhere, everywhere, nowhere. From today, the only real cultural practice, that of the masses, ours (there is no longer a difference), is a manipulative, aleatory practice, a labyrinthine practice of signs, and one that no longer has any meaning.</p>
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@@ -89,7 +89,7 @@
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 <p>The violence that accompanies it is that of a wider world: it is that of production. This violence is dialectical, energetic, cathartic. It is the one we have learned to analyze and that is familiar to us: that which traces the paths of the social and which leads to the saturation of the whole field of the social. It is a violence that is determined, analytical, liberating.</p>
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-<p>A whole other violence appears today, which we no longer know how to analyze, because it escapes the traditional schema of explosive violence: implosive violence that no longer results from the extension of a system, but from its saturation and its retraction, as is the case for physical stellar systems. A violence that follows an inordinate densification of the social, the state of an overregulated system, a network (of knowledge, information, power) that is overencumbered, and of a hypertrophic control investing all the interstitial pathways.</p>
+<p>A whole other violence appears today, which we no longer know how to analyze, because it escapes the traditional schema of explosive violence: implosive violence that no longer results from the extension of a system, but from its saturation and its retraction, as is the case for physical stellar systems. A violence that follows an inordinate densifkation of the social, the state of an overregulated system, a network (of knowledge, information, power) that is overencumbered, and of a hypertrophic control investing all the interstitial pathways.</p>
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 <p>This violence is unintelligible to us because our whole imaginary has as its axis the logic of expanding systems. It is indecipherable because undetermined. Perhaps it no longer even comes from the schema of indeterminacy. Because the aleatory models that have taken over from classical models of determination and causality are not fundamentally different. They translate the passage of defined systems of expansion to systems of production and expansion on all levels - in a star or in a rhizome, it doesn't matter - all the philosophies of the release of energy, of the irradiation of intensities and of the molecularization of desire go in the same direction, that of a saturation as far as the interstitial and the infinity of networks. The difference from the molar to the molecular is only a modulation, the last perhaps, in the fundamental energetic process of expanding systems.</p>
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